the count of monte cristo v for vendetta

#The count of monte cristo v for vendetta tv

In fact, purists who want a fully accurate presentation of the story would probably prefer this film.

That doesn’t change the fact that the story was still effective in this version. Also, with a more modern style of film-making they were able to add more action and exciting effects that simply weren’t possible in the 1930s. There are some tweaks made in that adaptation which change the story slightly, and I thought they worked quite well. I think this classic version of Dumas’ novel suffers a bit for me because I enjoyed the 2002 version so much, and did find myself comparing the two occasionally.

Perhaps a better montage establishing how he was learning so much, and still had the time to dig his escape route would have helped. I will say, I wanted something more from the entire time in prison. He also looked different, so I can commend the makeup and hair people for pulling that off, and forgive them for how humorously bad his beard looked when he was in prison. Robert Donat does a good job of playing the character differently prior to his imprisonment with a certain innocence, and then switching to bold confidence after his escape. After watching friends and enemies bring Dantes down despite the fact that he did nothing wrong, you want to see all of them taught a lesson. It is a classic novel for a reason, because this might be one of the most satisfying revenge stories of all time. In this film, V was a great hero with all these characters that black conveyed, as a result, he always covered himself in black items (cape, hat, gloves, wig….It’s hard not to get excited about any version of The Count of Monte Cristo. It is a reflection of independence and tenacity. It also associates with nobility and elegance. The double meaning of scarlet carsons built a super hero in a more humanistic and romantic way, which made the film more impressive and thought-provoking.īlack: Keskar (2010) suggests that black is the color of myth, power, drama and humor which can both mean classic or new. To a great extend, it was regarded as a concreted image of burning hatred, however, it also contained V’s gratitude to those political criminals for creating his tough and power, as well as leading him to the great revolution. Originally, the red rose is stand for love and romance, while in the film, it was the signature of V for his revenge killings. Here red was a symbol of love and admiration.įurthermore, the scarlet carsons rose was not only a significant but highlighted image with a sharp contrast of meaning in this film. Another red sofa appeared later when Evey was wearing a read streak t-shirt, lying in it and watching The Count of Monte Cristo. Here red can be perceived as anger and the desire of revenge. There was a scene that V was practicing fighting in his house and then threw himself into his red sofa.

#The count of monte cristo v for vendetta tv

When V delivered his first speech through the TV tower, his background was a huge red velvet curtain, which could be understood as the ambition and decision to rebel.Īlso, in this film, red was representing revenge and love at the same time. On the other hand, red also stands for revolution, associated with the communism revolution of Soviet Russia.

The film started with the figures of the secret ‘Fingermen’, who always wore badges with red Lorraine crosses on them, symbolized as strong arm rule and ideology. Red: Red, ‘… strikes a chord with more cultures than many other colors because of its intensity, passion and invocation of an inherent physiological response’ (Keskar 2010:p62), on one hand, can be easily connected in mind with the devil’s horns, which stands for invasion, anger and sin. At the end of the film, when the High Chancellor sent out the ultimatum of killing V, he stood right in front of a dark blue silk. In English, there are usage of ‘blue in the face’ and ‘he looks blue’. It was a reflection of her inward maturity from weak and sentimental to tough and rational.īlue can also on behalf of anger, depression and resentful. During the film, heroin Evey also often dressed in blue, and the color of her blue items were steadily getting darker and darker, finally appeared to be pure blue.